Saturday, May 4, 2013

May exhibitions - John Waller ....Anne -Marie Kuter

John Waller
Sat May 11th  12-6pm

Landscape with dead leaves 2013. Inkjet print, collage, oil, acrylic on paper. 420 x 895mm
$2200


2 Landscape with dead leaves & figure 2013. Inkjet print, collage, oil, acrylic on paper. 300m x 810mm.
$2100


Landscape with dead leaves & figure 2, 2013. Inkjet print, collage, oil, acrylic on paper. 420 x 610mm
$1900



Landscape abstraction 2013. Inkjet print, collage, oil, acrylic on paper. 330 x 675mm
$1600

Landscape abstraction  2 2013. Inkjet print, collage, oil, acrylic on paper. 420 x 590mm
$1600


Landscape with dead leaves 3 2013. Inkjet print, collage, oil, acrylic on paper. 330 x 675mm
$1995


Landscape with dead leaves 4 2013. Inkjet print, collage, oil, acrylic on paper.  295 x 420mm
$1995





















Anne-Marie Kuter Sat May 25th 12-6pm
Anne-Marie Kuter






Hard Rubbish




“To redirect our gaze to that which was an absence, a void,
the uncanny spaces beneath the surface of every day life” [1]



Hard Rubbish questions the notion of duration and impermanence by setting up a reciprocal interactivity between fragility and stability. An ephemeral sculptural casting of a discarded chair explores our sense of place and the stability we equate with home. It evokes memories of a time preceding The Block and Grand Designs, preserving the memory of time and life passed by.
It defines the space that is absent by transforming negative volumes into sculptural forms. Absence becomes presence. By casting space my aim is to reveal its secrets, to show the unseen, to draw attention to what would normally be unnoticed, forgotten and discarded.

Hard Rubbish is unassuming allowing the viewer to be left with a subtle recorded memory of what is no longer valued.

“One man’s trash is another man’s treasure”


[1] Bird, Jon, “Dolce Domum”, In James Lingwood, Ed, Rachel Whiteread: House, London
Phaidon Press 1995, p122